Let's start at the very beginning
A very good place to start
When you read, you begin with A-B-C
When you sing, you begin with Do-Re-Mi
Do-Re-Mi
Do-Re-Mi
The first three notes just happen to be
Do-Re-Mi
Do-Re-Mi-Fa-So-La-Ti
Oh, let's see if I can make it easy
Do, a deer, a female deer
Re, a drop of golden sun
Mi, a name, I call myself
Fa, a long, long way to run
So, a needle pulling thread
La, a note to follow So
Ti, a drink with jam and bread
That will bring us back to Do, oh, oh, oh

Do-Re-Mi-Fa-So-La-Ti-Do, So-Do
Now, children, Do-Re-Mi-Fa-So and so on
Are only the tools we use to build a song
Once you have these notes in your heads
You can sing a million different tunes by mixing them up
Like this
So, Do, La, Fa, Mi, Do, Re
Can you do that?
So, Do, La, Fa, Mi, Do, Re
So, Do, La, Ti, Do, Re, Do
So, Do, La, Ti, Do, Re, Do
Now put it all together
So, Do, La, Fa, Mi, Do, Re
So, Do, La, Ti, Do, Re, Do
Good
But it doesn't mean anything
So we put in words
One word for every note
Like this
When you know the notes to sing
You can sing most anything
Together
When you know the notes to sing
You can sing most anything
Do, a deer, a female deer
Re, a drop of golden sun
Mi, a name, I call myself
Fa, a long, long way to run
So, a needle pulling thread
La, a note to follow So
Ti, a drink with jam and bread
That will bring us back to Do
Do, Re, Mi, Fa, So, La, Ti, Do
Do, Ti, La, So, Fa, Mi, Re
Do, Mi, Mi
Mi, So, So
Re, Fa, Fa
La, Ti, Ti
Do, Mi, Mi
Mi, So, So
Re, Fa, Fa
La, Ti, Ti

When you know the notes to sing
You can sing most anything
Do, a deer, a female deer
Re, a drop of golden sun
Mi, a name, I call myself
Fa, a long, long way to run
So, a needle pulling thread
La, a note to follow So
Ti, a drink with jam and bread
That will bring us back to
So (So, Do)
Re (La, Fa)
Mi (Mi, Do)
Fa (Re)
So (So, Do)
La (La, Fa)
Ti (La, So, Fa, Mi, Re)
Ti, Do

Songwriters- Oscar Hammerstein II
Composer- Richard Rodgers
Singer- Julie Andrews
Copyrights- Do-Re-Mi lyrics © Concord Music Publishing LLC

Originally, "Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.

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